The Chicago Writers Association Conference was last weekend. I was
my first writer's conference, so it was pretty exciting. The things I
learned will probably take a few weeks to explore, so today I'd like to
tell you about the most immediately beneficial parts, which are the
meditation and mindfulness practices of Kelly Harms. Here are some things that I found helpful.
1.
"Deep work" is when you get in the flow of writing and it's all pouring
out of you. This is opposed to to trudging through the writing bog for
hours and hours. You can get the same amount of work done in a shorter
amount of time if you do deep work.
2. The way to get
into deep work is to separate it off from your other activities. It's
the "don't half-ass two things. Whole-ass one thing" idea. If you sit
down to write, but you're still thinking about your day job or your
e-mails or you kid or whatever, that distracts. So start writing time
with a beginning ritual like meditating.
3. My
beginning ritual (I made it up. It works for me) is that I lie down (if
I'm at home) or sit in lotus pose in my chair (if I'm at the library)
and listen to five minutes of rain sounds
through my headphones. While listening to that, I imagine that the
sound is the sound of all the tension in my muscles and the distractions
in my head pouring off me. I go through my major muscle groups and
release the tension I'm holding. I let go of any thoughts that crop up
other than the sounds of the rain, my breath, and whatever muscle group
I'm relaxing. Then, when I'm all nice and emptied out, I imagine that
the rain is gold--the color of creativity (your rain might look
different)--and it's filling up all the hollows in my body emptied out
when I let all the tension drain out of me. And then five minutes is up
and I'm get some really solid writing done. It's a little
counter-intuitive to spend the first five minutes of your limited time
not working, but when I only have an hour to work, taking five minutes
to get in the zone means I get more done in those remaining 55 minutes
than I usually do in a couple of hours.
4. It's
important to tell your body how much time you're going to write and then
stick to it. If you tell your body that you're going to write for two
hours, and after a half-hour you get interrupted, your body stops
trusting that you're going to have time to write. I talked to Kelly
Harms about this after her talk, because most days my free time is
during nap time, and who knows how long that'll last. Her advice was to
err on the shorter side. Tell your body you're going to work for half
an hour and then do it and feel good about yourself. If he's still
asleep when you're done, you can work longer, but don't promise
anything.
This is really working for me. A lot.
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