This week's novel is The Belles, by Dhonielle Clayton.
In
a world where everyone is born with gray skin and red eyes, a set of
magical girls, called belles, can change people's appearance to make
them beautiful for a price. Camellia has worked her whole life towards
being skilled enough to be The Favorite, the belle assigned to the royal
family, who sets beauty standards across the country. When she finally
reaches that goal, she finds that the position is way more dangerous
than she'd ever thought.
I have a couple warnings to start with if
you're thinking of reading this book. 1. There are egregious examples
of bury your gays. You read that right, "examples" is plural. 2.
There's a series of headlines, just several in a list, and one of them
mentions a trans person. Somehow in that single headline and single
mention in the entire book, it still manages to misgender them.
I'm not in the mood to find stuff I liked about this one.
This
book did not dive into the themes set up in the premise as much as I
was hoping for. This story seems like fertile ground to talk about how
arbitrary it is that some features are considered beautiful and some
aren't. Especially given that the main character is a person of color, whose skin tone and hair texture are, in modern American culture, considered undesirable.
Since there isn't race in this fantastical society, Camellia's skin tone
is treated as just a variant on a theme, and--heck--let's get into that!
But no. The premise also seems like fertile ground for discussing how
only the wealthy can afford the treatments to make them beautiful, while
the poor are gray, red-eyed troll people. Do the gray, red-eyed troll
people think they're ugly, because they're told they are every day? Do
the wealthy look down on them? Has anyone tried to make a fashion
statement by having openly gray skin? Being beautiful is something mandated by the Goddess they worship, so what does it mean that they're charging people to obey the goddess' mandate? We don't know. It's not
important.
Instead, the book focuses on how the princess,
who will probably inherit the throne, is a cartoon villain, and Camilla
needs to stop her/do everything she says.
I was even expecting
for the beauty standards of this world to be bizarre and engaging. If
you're starting from gray, why wouldn't people have blue skin and three
eyes and hair that sticks straight up in the air? I was expecting full
on Capital from the Hunger Games, and although there are blips of
weirdness, the book never lets loose with it. And that makes the
moments of weirdness confusing. Are they supposed to be weird?
"The
wardrobe opens and the interior explodes with color. Dresses with full
skirts, A-line cuts, empire waists, sheaths, long sleeves, cap sleeves,
no sleeves, V-necks and scoop necks and plunging necklines. Dresses
made of brocades, laces, velvets, glass beads, cashmeres, silks, and
pastel satins in every color and pattern. Special carts follow the
wardrobe, carrying vivant dresses inside large glass bell jars. These
are dresses made of living things. Butterflies open and close their
wings, exposing their dress's inner rib cage. Honeybees buzz in and out
of a honeycomb-shaped gown. Roses of every color wave their petals." I
can picture everything but the honeybee dress, which seems wildly out
of place. Then on the next page, there's this: "I'm wearing one of the
Fashion Minister's latest creations--a honey-and-marigold bustle dress
with a waffle texture and a waist-sash of striped fur." Is...that
pretty? Does Camilla think it's pretty? To me, it doesn't sound
stunning or wild, just...unpleasant.
That's a problem I've been
encountering a lot. If a setting or a dress is described and none of
the characters give their opinion on it, sometimes I can't tell if the
reader is supposed to be awed or think, "Wow, that's tacky." Maybe it's
because I read this book right after Crazy Rich Asians, which does a
similar thing, but the point is supposed to be that--yep--that's pretty
tacky.
***
Next week, I'll be in a better mood with
Leviathan Wakes,
space opera by James S.A. Corey.
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